IDRS Journal Supplement
Chops: Lost and Found
We are pleased to announce that our article, Chops: Lost and Found, was published in the International Double Reed Society Journal in April 2021, Volume 44, No. 1. Click here for supplemental information.
The Stay at Home Bassoonist
Here’s a list of productive things you can do to pass the time while staying at home
- Clean your tone holes
- Clean your bocal
- Clean the dust off your bassoon
- Vacuum your bassoon case
- Check your bassoon for leaks
- Clean sticky pads
- Refresh your pads
- Make reeds
- Adjust your reeds and check their tuning
- Make sanding tools
- Schedule a re-pad overhaul or restoration service for your bassoon
- Practice warm up exercises
- Practice the dreaded double tongue
- Create your artistic vibrato
- Practice your scales
- Practice your trills and turns
- Practice Nasty Passages
Announcement About Arundo Reeds and Cane
We want to inform you that Arundo Reeds and Cane is no longer in business. If you or someone in your bassoon network is interested in purchasing the company, please fill out the Contact Us form on this website.
Our goal is to demystify the reed, the bassoon, and the player’s problems. In 2015 we introduced a valuable reed tuning method and reference material called the Quick Guide to Bassoon Reed Tuning. It is the result of nearly 50 years of research, innovation, professional reed making, major symphony orchestra performance, recording and teaching. Every bassoonist from the novice to the professional will benefit from new insights to help tame “the unruly beast.” From those who have previewed and helped in making this publication possible, it has been described as an “Incredible work. The more I look, the more I learn.” The universal comment has been “WOW!”
Most interesting for me, was taking reeds I was happy with and enjoyed and taking them through certain tests which they failed. Normally I would not have scraped any more on these “finished, good reeds,” yet they had failed his test and I wanted to really test this book out. It turns out that I am so accustomed to overcoming shortcomings of reeds, that when I really got them locked in so they passed his test, these “great” reeds were actually MUCH easier to play.
“Students are singing your praises of the Reed Book: one called it “deep” which is quite a high complement! Something for all of us.”
Skeptical of his method? Buy this book and at least give it a try. It has really improved my reeds in so many ways.
“What a wonderful addition to the literature on bassoons and reed making!”
“You have created a masterpiece! I am making more consistent reeds and the reeds are coming into shape more quickly with less work.”
“The results I’m getting are amazing…Your step-by-step process gets me there much quicker! The more I use your test procedures the more nuances I can tease out of my reeds.”
I owe much of my longevity to your books and knowledge of reeds, without them I would be clueless!
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